Pirate radio essay

You can have as many mid-points as you like. Bywith rock'n'roll well established, there was pressure from commercial interests and the public for a hour popular music channel and there sprang up a number of pirate radio stations outside territorial waters.

the boat that rocked

Rhys Ifans is the resident shock jock who keeps listeners by unzipping his pants and whispering dirty little nothings into the microphone. Abandoning the last vestiges of trad pop radio broadcasting protocol, the new 'ardkore pirates sounded like "raves on the air": rowdy, chaotic, with the DJ's voiceover replaced by a raucous rave-style MC Master of Ceremoniesand with a strong emphasis on audience participation enabled by the spread of the portable cellular phone, which made the studio location impossible to trace by the DTI.

We are all of us today living in a world where the mass have become the standard-setters for the elite, and the idea of the mass aspiring to elite standards has come to be seen as a terribly archaic idea it is incredible to think now of the extent to which young girls from working-class backgrounds once aspired to be ballet dancers, for examplebut crucially the triumph of the mass has been achieved through capitalist rather than socialist means the difference between meritocracy and egalitarianism.

Except on a shore expedition strutting around the West End and when a boatload of dolly birds comes to the boat for a discreet orgy, the DJs sit around drinking and talking about their embarrassing sexual experiences.

Life really only happens for them when they're on the air. How and why did this happen? Dozens of little boats put out from east coast ports, steered by bunches of pubescent girls to save the heroic DJs from a watery grave.

It's possible he may find the solution to a personal question onboard. You know the koo. In the early '80's, pirate radio entered its second golden age, with the rise of black music stations like Horizon, JFM, Dread Broadcasting Corporation and LWR, specialising in the soul, reggae and funk that Radio One marginalised.

The old maids on the Beeb board of governors thought it was, in the words of a Conservative minister depicted in this movie, "immoral. Getting hot in the place.

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The politics of offshore radio